Tuesday, 26 August 2008

What do Yahoo! Think You're Doing? (Part 2)

This is the second installment of my rant about Yahoo! search marketing and the difficulties I am experiencing as an advertiser trying to use YSM in order to advertise as effectively as I do on other search engines.

This installment focuses on an issue that will be particularly concerning to advertisers that have previously experienced problems with match types.

As I write this blog post, this issue continues to flummox the account management team at Yahoo! UK. The issue has been forwarded to their technical counterparts but a solution has been outstanding for months now.


2. Yahoo! Mapping

Unlike Google, Yahoo! do not have as many keyphrase targeting options. Standard match is the option that is the most similar to Google's exact match but all keyphrases are set to advanced match by default. Historically, the advanced match option in Yahoo! has been a bit too vague for advertisers likings. Keyphrases have matched to incorrect terms throughout causing Yahoo! search campaigns to be less efficient than their counterparts on other engines.

Although Yahoo! claim that the functionality updates that came with Panama allowed them to tighten up their advanced match facility, it is still advisable to start campaigns with the standard match option.

Even this option creates problems for advertisers with significant keyphrase volumes and the intention to run highly targeted campaigns.
It appears that terms on standard match automatically map to other terms within the account in a similar fashion to Google's problematic expanded broad match.

I shall use a real life example to describe this problem. We are currently trying to bid on the phrase "Majorca Holidays". According to Yahoo, we are unable to add this term to our campaign as it is mapping to another term "Holidays in Majorca". In order to increase the position on the term "Majorca Holidays" it is necessary to increase our bid on the term "Holidays in Majorca".

In my view this is ludicrous. If is deemed that the two keywords are so similar that an advertiser may only bid on one of the terms, then the results displayed on a search for "Majorca Holidays" and "Holidays in Majorca" should be identical. They are not.

The auction on the two different keyphrases should be independent from each other in all eventualities. If "Holidays in Majorca" and "Majorca Holidays" are considered by Yahoo! to be identical keyterms, then all advanced match terms should match to both terms.

The real question however
is why does this mapping occur? All the terms in our account are on standard match, not advanced match so why does Yahoo! choose to match one term against another without the advertisers explicit permission?

The highest sales volume for my organisation comes from sales of Majorca Holidays. I wish to pay to advertise against the term "Majorca Holidays" It appears that Yahoo! search marketing cannot facilitate this.

Now if this keyphrase creates 100 clicks per day, at an average £0.50 per click, then Yahoo! are potentially throwing away £18,250 per year that I would prepared to invest with them on a single keyphrase. If 100 keyphrases are experiencing the same problem then this means that Yahoo! are losing out on £1,825,000 per year of advertising revenue from our account alone. Considering the nature of the recent and very public merger talks, I am not sure that Yahoo! shareholders would be as comfortable with these figures as their account management staff appear to be.

Part 3 will focus on minimum bid increases

Friday, 15 August 2008

What do Yahoo! Think You're Doing? (Part 1)

My mantra is to maximise potential in everything I do. I cannot stand to see businesses fail to capitalise on the opportunities that are available in their sector. This is particularly pertinent in the online world; Why is Friends Reunited not the success Facebook is? Why have online retailers not reacted better to Amazon's entrance and rapid growth in their sectors? And why do Virgin brands not dominate the SERPS?

With this in mind, I cannot understand why Yahoo! can't make any money. As an advertiser that invests considerably in paid search, I am willing Yahoo! and MSN to make inroads into the dominance of Google and reduce users and advertisers dependence on one engine. However, I continue to be frustrated with their inabilities to invest my budget prudently and effectively.

Exasperated at my efforts to get any answers from Yahoo! let alone any resolution to these issues, I want to highlight some of the ineffective elements to advertising with Yahoo! other advertisers with a view to putting some pressure on the internet giant to pick up the ball they have so clearly dropped.

I have been writing this post for the past few weeks and it is now turning into a thesis entitled "The ineffectiveness of Yahoo! search marketing for advertisers". Therefore, for the sake of my readers, I have split this post into three parts.


Part 1. Partner Sites

When you sign-up to Yahoo! paid search program, you sign up to have your adverts showing against keywords that users are searching for. If desired you can also sign up for the Yahoo! Content Network so that your adverts appear on websites with relevant content. These are the two options that Yahoo! tell about on signing up for a search marketing account:

"
There are two ways in which Yahoo! Search Marketing displays search results across their network – Sponsored Search and Content Match."

There is however a third option that Yahoo! keep relatively quiet. Partner sites use listings taken directly from the Yahoo! index to show alongside relevant content. An example of such a site listing can be seen on the results pages for price comparison site TravelSupermarket. These adverts are shown as they are targeted to the users search criteria. I am not signed up to the Yahoo! content network however, these listings are being provided by Yahoo! search.

This problem is exacerbated when you dig further into the sites that Yahoo! class as partners. For example,
sweet-deals.co.uk. This site is not a search site. It is a spam site that is built with the sole purpose of making the owner money in a similar fashion to AFD. It offers no value to user. It is not search advertising, it is content advertising.

The bad news is that there is no opt out of this scheme. If you sign up to Yahoo! paid search, you are automatically defaulted into their network of partner sites. This is really poor for the advertiser. Not only are they forced to advertise on spammy websites but the metrics on standard keywords are influenced by the performance of these sites. When trying to optimise keyword performance on Yahoo! these sites must be taken into consideration.

For example, how does a site optimise for the keyword "car insurance" when the performance will vary so wildly across traditional search and these partner sites. Worse still, it is not possible to track these sites individually, so I cannot differentiate between the performance of "car insurance" as a partner listing on the desirable domain moneysupermarket.com and the less desirable wealthygeek.com.

Not many advertisers even know that these partner sites even exist. Others are more vocal about it. I would urge every advertiser to stop worrying so much about the amendment to the Google trademark policy and contact their Yahoo! representative about this scheme and ask them what value they see in advertising here.

Part 2 will focus on Yahoo! Mappings.

Thursday, 24 July 2008

Who are the real thieves?

It was announced last week that further steps are being taken in order to curb the volume of illegal file sharing online. Whilst I do not in any way condone file sharing, I do believe that the entertainment industry is getting a certain degree of payback for years of mistreating it's customers.

Here are three reasons why:

1.
As I have discussed in previous posts, I am an early adopter. I invest in the latest technology as soon as it comes out. I upgraded all my cassettes to CD, my VHS tapes to DVD, my CD's to minidisc, purchased a Sony Atrac player, an iPod etc.

Every time a new format arrives, the previous format becomes second-best. For example, I own a number of classic movies on DVD. Now that Blu-Ray is on the scene, am I expected to purchase them again in the newer format?

Surely, a discount should be awarded to customers that own an existing format and are looking to upgrade. This strategy could be employed in order to grow the Blu-Ray market that currently represents only 2% of video-disc sales in the UK.


2. The price of a CD in a high street retailer has remained consistent over the past decade. Despite increasing royalties to artists and ever increasing overheads, production costs have lowered. The price of a recordable CD can be used as a guide for this, you can now buy 100 for as little as £10.00

In order to compete with digital markets and the illegal download community, the price of CDS & DVDs should be reduced. Perhaps if the latest music CD was priced at £4.99 in the shops, then the retailers would not suffer as much.

3. I hate purchasing a CD to find that it is only 45 minutes long, or there are a number of tracks that are clearly album fillers. I am sure a number of people have purchased an album based on the strength of one good track. Is this fair on the consumer?

Downloading digital files has somewhat resolved this problem. It is frightening simple to purchase music on iTunes. You can purchase individual tracks and preview tracks before you buy.

Some artists are embracing digital. Radiohead launched their album, In Rainbows, online before releasing it on the high street. They also allowed customers to suggest how much they believed the album to be worth. If this was the case for all artists, the good ones would still be profitable. Radiohead made over $2M in revenue from the release of their album, even though 62% of customers paid nothing. The volume of free illegal downloading was of course far less.

Other artists are less welcoming of digital markets, although they don't mind charging over £100 for a concert ticket!

Music and film industries needs to start looking at digital as an opportunity rather than a threat. There are plenty of new revenue opportunities available via digital channels. Here's a few for starters:

1. Charging for online showings of concerts or backstage,
2. Paid memberships for access to exclusive online content,
3. Offering priority downloads of trailers, interviews or outtakes,

The entertainment industry must face up to the fact that in the
future the majority of revenue will not come from traditional sources. The cash cow that was traditional CD & DVD sales is rapidly deteriorating.

They can be criticised for becoming too complacent with the revenue attained from their captive market. They have failed to innovate and are only now that their market share is dwindling, starting to embrace new opportunities.

Wednesday, 23 July 2008

Death Star Canteen

I have never really been a great fan of Eddie Izzard but I was recently pointed in the direction of some of the excerpts on YouTube and found them absolutely hilarious.

Clips from cult movies, TV shows and comedic performances are incredibly popular on YouTube. They allow the viewer to enjoy or relive their favourite moments without the need to search for them within the full length broadcast. The related videos section enables YouTube to become almost a highlights reel of the best moments.

The clip below has been viewed over 4 million times on YouTube. This presents an amazing and relatively untapped opportunity to advertisers. There is a large audience available but no advertising. Why is there no promotion of the latest Eddie Izzard DVD? Why has the company or individual that invested the time and money creating the animation not added their contact details? Would they be open to advertisers contacting them about sponsorship opportunities? For the right brand and product, it could be quite a lucrative arrangement for all parties.

The interaction users have with this media is also very different. In contrast to many online advertising mediums, users can lean back rather than lean forward to engage in the media.

The psyche of the viewer is also different to other forms of advertising. The viewer is likely to have an emotional connection to the subject matter and as a consequence could be more open to promotional suggestions. No-one likes to be pushed upon when they are in a bad mood.

Of course, advertising in this space must be done tactfully. Anything that interrupts or interferes with the users enjoyment is likely to fail. I have previously written about the how expensive it is to advertise directly with YouTube but I am quite sure these currently untapped opportunities could be cheaper and more fruitful.

Saturday, 19 July 2008

Don't Click, Won't Click

User experience is a discipline that has come to the forefront of online in recent years. One popular online focused magazine has even adopted the mantra "User Experience is King" for the year.

When people think of usability, they often refer to how a website works, the information architecture, the design and navigation elements and its accessibility.

Usability is very much at the heart of an e-commerce website, it's main intention being to maximise conversion via continual optimisation based on meaningful testing and analysis.

The main principles of best practice usability are still restricted by the manner in which we use our computers; the limitations of a mouse and keyboard that are used to navigate through the world wide web.

This is all about to change...


Don't Click It is an experiment that challenges the traditional point and click method of web navigation by demonstrating a browsing experience without the requirement to click the mouse or keypad. So without the requirement to click, what use are of mouse buttons?
In reality the mouse itself has limited life remaining.

Microsoft Surface was one of the first developments into touch screen technology,
offering a coffee table interface where multiple users could drag and drop files accordingly. As with many other Microsoft innovations, the product lost it's way and could be accused of being launched without a market in mind.

There have been other attempts but it is the success of the iPhone and iPod touch that has really pioneered the way for the touch revolution. A number of mobile producers are already following Apple down this route, quickly releasing products with similar touch screen technology.

HP have been the first to introduce this technology to the home computer with the HP TouchSmart PC, that recently launched in America. Other manufacturers are developing similar products making it realistic to expect touch technology to become an option for those looking to purchase a PC within the next two years.

So what's next?

For the film Minority Report,
Steven Spielberg took advice from some of the worlds most renowned futurologists about how technology will evolve in the next fifty years. Some of these predictions are already starting to become a reality.
The scene in which Tom Cruise navigates through various files using electronic gloves demonstrates functionality that is not too dissimilar a Wii remote. The movement is detected and translated into an on screen action.

The impact on traditional web usability will be huge. Touching and pointing your way through a website promises to be a much simpler and more fulfilling experience than point and click navigation. There will be significant opportunities to engage visitors and encourage further interaction with websites and brands.

These rapid improvements to technology will not come without obstacles, the most significant being accessibility. This should regarded as part of the greatest challenge, to create an improved web experience for everyone.

I expect touch and movement detection technology to be a form a major part of the future of web browsing, fundamentally changing the principles of usability as we know them. I wonder what Jacob thinks.